As Gauguin brought his work in Tahiti to a close, he focused increasingly on the beauty and serene virtues of the native women. In this painting, he depended on sculpturally modeled forms, gesture, and facial expression to vivify the sentiments he had used to describe the "Tahitian Eve": "very subtle, very knowing in her naïveté" and at the same time "still capable of walking around naked without shame." These two figures first appear in the artist's monumental frieze Faa Iheihe (Tahitian Pastoral) of 1898 (Tate, London) and again in the even larger Rupe Rupe (The Fruit Harvest) of 1899 (Pushkin Museum of Fine Arts, Moscow), which he composed for the upcoming Exposition Universelle of 1900.
Stretched Canvas - Standard
- Latex print on finely structured canvas made of polyester fabric with printed mirrored edges
- Beautiful rich and high-quality colors for many years of joy
- Carefully crafted, ready to hang on 0.75 inch solid frame made of spruce wood
- Made in Germany with solvent-free paints
- Secure delivery carefully packed in a stable carton
- Available in different sizes